1 / 19
Instrument with Loops No. 5 (1-12) & No. 18 (1-13 double)
Necklaces, 2024
Glass seed beads, nylon thread
$450-500 | SOLD
2 / 19
Fibonacci in Aotearoa & Instrument with Loops No.4 (1-9 mirroring)
Necklaces, 2024
Glass seed beads, nylon thread
$460 | SOLD
3 / 19
Fibonacci in Otautahi
Necklace, 2024
Glass seed beads, nylon thread
$1320 | ENQUIRE
4 / 19
Looping No.10 (1-13 double)
Necklace, 2024
Glass seed beads, nylon thread
$500 | ENQUIRE
5 / 19
Looping No.11 (1-9) & Instrument No.17
Necklaces, 2024
Glass seed beads, nylon thread
$450 | SOLD
6 / 19
Brooches
Porcelain, glaze
$740 | ENQUIRE
7 / 19
Pendants
Porcelain, glaze, thread
$620 | ENQUIRE
8 / 19
Bracelets
Porcelain, glaze
$700 | ENQUIRE
9 / 19
Bracelets
Porcelain, glaze
$700 | ENQUIRE
10 / 19
Plates
$560 | ENQUIRE
11 / 19
Plates
$560 | ENQUIRE
12 / 19
Candleholders
$370 each | ENQUIRE
13 / 19
Plate, Bracelet, Candleholder
$POA | ENQUIRE
14 / 19
Plates
$560 | ENQUIRE
15 / 19
Making Faces
Necklaces
Plastic beads, thread
$270 each | ENQUIRE
16 / 19
Making Faces
Necklaces
Plastic beads, thread
$270 each | ENQUIRE
17 / 19
Making Faces
Necklaces
Plastic beads, thread
$270 each | ENQUIRE
18 / 19
$POA | ENQUIRE
19 / 19
$POA | ENQUIRE
Manon van Kouswijk
Manon van Kouswijk is interested in the universal qualities of jewellery and other personal objects, the value and meaning they represent and the different roles they have in exchanges between people as gifts, souvenirs, heirlooms. In her work she makes aspects of the way we use and handle things visible in the objects themselves. Her working methods are quite elaborate and obsessive, ranging from making pearlchains of paper archive stickers on a thread and cutting butterflies out of mass-produced domestic objects to embroidering stains on table cloths. Subject matter and type of object usually define the chosen material and technique.
Her work is exhibited in galleries and museums and is part of private and public collections worldwide.
After formal training as a goldsmith, Manon van Kouswijk studied jewellery in art school and graduated in 1995 from the Gerrit Rietveld Academy, Amsterdam, where she later worked as Head of the Jewellery Department from 2007-2010.
In 2010 she relocated to Melbourne, Australia, where she has set up her studio and is currently working in a part time position as coordinator of the Jewellery Studio and Lecturer at MADA: Monash Art, Design and Architecture