1 / 21
Debbie Adamson & Craig McIntosh
Untitled
Installation view
2026
$POA | ENQUIRE

2 / 21
Debbie Adamson & Craig McIntosh
Untitled
Installation view
$POA | ENQUIRE

3 / 21
Craig McIntosh
Untitled
Stack Pendant
2026

Holly, galvanised steel, waxed cord
195 x 105 x 85mm

$620 | ENQUIRE

4 / 21
Craig McIntosh
Untitled
Stack Pendant
2026

Elm, galvanised steel, waxed cord

230 x 125 x 90mm

$620 | ENQUIRE

5 / 21
Craig McIntosh
Untitled
Stack Pendant
2026
Maire, galvanised steel, waxed cord
215 x 105 x 105mm

$620 | ENQUIRE

6 / 21
Craig McIntosh
Untitled
Stones
2026

Maire, galvanised steel, waxed cord

105 x 115 x 105mm

$620 | ENQUIRE

7 / 21
Craig McIntosh
Untitled
Stones
2026

Maire, galvanised steel, waxed cord

105 x 115 x 105mm

$620 | ENQUIRE

8 / 21
Craig McIntosh
Untitled
Stones
2026

Maire, galvanised steel, waxed cord

105 x 115 x 105mm

$620 | ENQUIRE

9 / 21
Debbie Adamson

Untitled
Stones
2026
Galvanised steel, black mother of pearl, lacquer, thread

80 x 75 x 40mm

$460 | ENQUIRE

10 / 21
Debbie Adamson
Untitled
Stones
Pendant, 2026
Galvanised steel, black mother of pearl, lacquer, thread

80 x 75 x 40mm

$460 | ENQUIRE

11 / 21
Debbie Adamson
Untitled
Matagouri
Pendant, 2026
Galvanised steel, paua, lacquer, thread
165 x 70 x 30mm

$$460 | ENQUIRE

12 / 21
Debbie
Adamson
Untitled
Olearia II
Pendant, 2026
Galvanised steel, paua, lacquer, thread

200 x 50 x 10mm

$460 | ENQUIRE

13 / 21
Debbie Adamson
Untitled
Olearia
Pendant, 2026
Galvanised steel, paua, lacquer, thread
200 x 30 x 10mm

$460 | ENQUIRE

14 / 21
Debbie Adamson
Untitled
Mulhenbekia
Pendant, 2026

Galvanised steel, paua, lacquer, thread

155 x 45 x 30mm

$460 | ENQUIRE

15 / 21
Craig McIntosh
Untitled
Nobody’s home or perhaps I just don’t like you (phone)
2026

Maire, waxed cord

120 x 57 x 10mm

$620 | ENQUIRE

16 / 21
Craig McIntosh
Untitled
Nobody’s home or perhaps I just don’t like you (phone)
2026

Maire, waxed cord

120 x 57 x 10mm

$620 | ENQUIRE

17 / 21
Debbie Adamson & Craig McIntosh
Untitled
Installation view
$POA | ENQUIRE

18 / 21
Debbie Adamson
Untitled
Installation view
$POA | ENQUIRE

19 / 21
Debbie Adamson & Craig McIntosh
Untitled
Installation view
$POA | ENQUIRE

20 / 21
Adamson/McIntosh
Untitled
Template Studs
2026

Mother of pearl, oxidised sterling silver
Approx 13mm
$225 | ENQUIRE

21 / 21
Adamson/McIntosh
Untitled
Template Studs
2026

Mother of pearl, oxidised sterling silver
Approx 13mm
$225 | ENQUIRE

Untitled

Adamson/McIntosh

15 Sep – 03 Oct 2026

The exhibition Untitled Adamson/McIntosh is a collaborative project between contemporary jewellers Debbie Adamson and Craig McIntosh.  The two artists established a shared workshop in 2017, and, alongside their individual practices, started producing jewellery under the moniker A+M.

Since its inception in 2017, A+M has been about making repeatable Production.  In 2025, Adamson/Mcintosh moved from the central city in Dunedin to rural central Otago. Untitled is the first new body of work since the move. Influenced by the place and space of their new environment, Adamson/Mcintosh wanted to produce a body of work that veered in a different direction, letting go of the production work mandate and expanding their collaborative approach to create two interconnected bodies of work – potentially one off exhibition pieces that will feed back into their A+M practice.

“We started with an idea. We made a few things, and then went off on our own tangents.  Works in progress were placed on a table in the workshop, and after a while, they started speaking to one another, and it all came together.
Such is the nature of our collaboration – it’s always a conversation”.  Adamson/McIntosh, 2026

Debbie Adamson grew up in rural Central Otago. She studied at the Otago Polytechnic in Dunedin, gaining a Bachelor of Fine Arts in 2010. Between 2012 and 2014, Adamson undertook an informal apprenticeship with Master Goldsmith Kobi Bosshard and this resulted in a longstanding working relationship. Debbie also participated in the inaugural Handshake, a jewellery mentoring project where she was paired with the Swedish artist Hanna Hedman.

For the past 10 years Adamson has exhibited widely, both in solo and group shows, and gained representation in well known galleries throughout New Zealand. She has taken part in further iterations of Handshake, showcased at the Museum of Art and Design in New York, and has work in the collection of The Dowse Museum and other private collections. Currently, Adamson lives and works in Central Otago, New Zealand.

“My work is informed by the natural world and our relationship to it. Through the lens of craft based skills I like to observe and explore my surrounding environment, playing with the alchemy of transforming materials to explore questions about identity, sustainability, and the human experience. Traditional jewellery making is my foundation and touchstone, which I like to blend with a curious and contemporary outlook”.

Growing up in Aotearoa New Zealand, Craig McIntosh was introduced to carving at an early age. Since 2000, he has exhibited extensively throughout New Zealand. From 2000-2004, McIntosh took part in the annual Seibu Netsuke exhibitions in Tokyo Japan. In 2014 he was included in the Wunderruma, curated by Karl Fritsch and Warwick Freeman, shown at Schmuck in Munich, Germany, Auckland Art Gallery and The Dowse Art Museum, Lower Hutt.

In 2013, after 13 years of professional practice, McIntosh took the time to complete a master’s degree in fine art in which the focus of his enquiry employs a reversal of the traditional reductive approach to stone carving. His thesis acknowledged and asserted the importance of technology in creating context and meaning and by developing his own methodology of fabrication and construction with stone in a jewellery context he questions the relevance and currency of existing stone carving traditions in Aotearoa, New Zealand.

Since the completion of his Masters with distinction, McIntosh has continued to exhibit his work both nationally and internationally. In 2016 he was the inaugural recipient of Dame Doreen Blumhardt’s Gift and in 2017 produced the major solo exhibition Groundwork for Objectspace, Auckland.

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